I Ching Divination Basics: Foundations Part 2.3: Applying the Five Elements (Wu Xing) in Liu Yao Readings

How generation, overcoming, and peer harmony reveal real life relationships in Wen Wang Gua charts

I. Foundations

Part 2: Five Elements

2.3 Applications of the generation, overcoming, peer harmony

Generation, overcoming, and peer harmony describe how energy flows between two elements.
I Ching Divination is an ancient art that often involves looking at a hexagram in Liu Yao or Wen Wang Gua. You are always asking: who is feeding whom, who is controlling whom, and who is standing at the same level. This is how Five Elements logic becomes something you can actually read in a chart.

2.3.1 Generation: who gives, who receives

Generation points to giving, nurturing, attraction, and long term support.
The generating side is like the person or factor that keeps giving energy, time, money, or attention. The side that is generated is the one being nourished.

For example:

  • Wood generates fire: like firewood feeding a flame
  • Water generates wood: like rain nourishing a forest

In readings, generation often shows:

  • Voluntary giving, investment, devotion
  • What you genuinely like, pursue, or long for
  • Where your time, money, and emotional energy flow

We can distinguish two directions:

  • Active generation (主生): this is the side that takes action and gives. It shows active support, caretaking, investing in someone or something.
  • Passive generation (受生): this is the side that receives. It can feel cared for, supported, or nourished, but also become dependent if it receives too much without giving back.

In a love reading, if your significator line generates the partner’s line, you may be the one chasing, giving, and investing more. In a wealth reading, if your wealth line generates the host line, you will gain wealth in a steady way.

2.3.2 Overcoming: control, pressure, conflict

Overcoming shows control, pressure, conflict, damage, or a hard push.
In the Five Elements, each element has another that it controls:

  • Water overcomes fire
  • Fire overcomes metal
  • Metal overcomes wood
  • Wood overcomes earth
  • Earth overcomes water

In readings, overcoming can describe:

  • Tight control, discipline, restriction, or blocking
  • Conflict, hostility, resentment, or harm
  • Strong intervention, including “forcing a change”

Again, we look at direction:

  • Active overcoming (主克): this is the side that presses, controls, or attacks. It has more initiative or power in that interaction.
  • Passive overcoming (被克): this is the side that gets pressured or hurt. It may be constrained, under stress, or forced to adjust.

Sometimes overcoming also shows strong pursuit, especially when someone pushes hard to get a result or to “take” something. The same energy that hurts can also be the energy that breaks through an obstacle, depending on context.

But being overcome is not entirely a bad thing. In a reading about seeking wealth, if the wealth line overcomes the host line, it means wealth comes to seek me, wealth comes to find me, indicating that making money is easy. By contrast, if the host line overcomes the wealth line, it means I am the one seeking wealth, which is exactly what the reading is about in the first place: my seeking wealth.

2.3.3 Peer harmony: equal footing, help or competition

Peer harmony is interaction between things of the same nature.
In the Five Elements chart, this is simple: C or D wood with C or D wood, F or G fire with F or G fire, E, H, L, B earth with E, H, L, B earth, J or K metal with J or K metal, A or M water with A or M water.

In readings, peer harmony can show:

  • Mutual support and teamwork, people at the same level helping each other
  • “Robbing wealth”, competitors chasing the same clients, market, or partner
  • Siblings, classmates, colleagues, roommates, or people with similar status
  • A mirror of yourself, like meeting someone with the same habits or issues

Because peer elements share similar needs, they understand each other easily, but they also easily step on each other’s toes. Whether it becomes cooperation or competition depends on the question, the positions of the lines, and the overall balance of the chart.


Further reading: English Editions of I Ching Divination Classics

  • “I Ching Divination: Complete and Restored (Zengshan Buyi 增删卜易), Part 1 (Vols. 1 to 2)”
    Foundations for Six Lines (Liu Yao), Wen Wang Gua, and the Na Jia Method. 460+ case studies (Part 1 & 2)
    → Amazon US
  • “I Ching Divination: Complete and Restored (Zengshan Buyi 增删卜易), Part 2 (Vols. 3 to 4)”
    Advanced rules with worked cases, practical checklists for real readings. 460+ case studies (Part 1 & 2)
    → Amazon US
  • “The Orthodox Method of I Ching Divination (Bushi Zhengzong 卜筮正宗), Book 1 of 2 (Vols. 1 to 4)”
    Classic framework and methods, including the Golden Strategy and core disputes.
    → Amazon US
  • “The Orthodox Method of I Ching Divination (Bushi Zhengzong 卜筮正宗), Book 2 of 2 (Vols. 5 to 7)”
    Eighteen key questions with case-based explanations for confident judgment.
    → Amazon US
  • “Fire Pearl Forest (Huo Zhu Lin 火珠林): A Classical Text on Six Lines Divination”
    Technical essentials favored by practitioners, clear structure for application.
    → Amazon US
  • “Undersea Eye (Haidi Yan 海底眼): The Core Principles of Six Lines Divination”
    Core principles that train pattern recognition and timing in real casts.
    → Amazon US
  • “Collected Insights on I Ching Divination (Yi Donglin 易洞林)”
    Includes Donglin Secret Manual (洞林秘诀), Guo Shi Donglin (郭氏洞林), and Zhouyi Donglin (周易洞林).
    → Amazon US
  • “Hidden Principles Ode: A Classic of I Ching (Six Lines) Divination (Chan Ao Ge Zhang 阐奥歌章)”
    A concise classic that clarifies core judgments and shows how to turn short verses into usable guidance.
    → Amazon US
  • “Principles and Odes of I Ching Divination”
    Includes Mysterious and Subtle Discourse (Tong Xuan Miao Lun 通玄妙论) and Celestial Mysteries Ode (Tian Xuan Fu 天玄赋), organized for quick reference in real readings.
    → Amazon US

What Is the Corresponding Line in Six Lines I Ching Divination?

Understanding 应爻 (ying yao) and the host line in Na Jia

In Six Lines I Ching divination (Liu Yao, Wen Wang Gua, Na Jia), two technical terms appear again and again:

  • Host line/ho (世爻, shi yao)
  • Corresponding line/co (应爻, ying yao)

Most introductory books say something like:

  • the host line represents “me”, the querent or main side
  • the corresponding line represents “the other side”, the counterpart

This is a useful shortcut, but it does not explain where the idea of the corresponding line comes from, or why it is so central in Na Jia practice.

In this article for I Ching Stream, we will look at:

  1. The internal geometry of a hexagram
  2. The classical origin of “response” 应 in early I Ching literature
  3. How Na Jia adds the host line on top of this structure
  4. How to read the corresponding line in real Six Lines divination

1. The hidden geometry inside every hexagram

A hexagram has six lines, but these six lines are not just stacked randomly. They have a very simple internal pairing:

  • Line 1 corresponds to line 4
  • Line 2 corresponds to line 5
  • Line 3 corresponds to line 6 (the top line)

You can picture the hexagram as two three-line trigrams:

  • the lower trigram (lines 1, 2, 3)
  • the upper trigram (lines 4, 5, 6)

Inside this structure, each line in the lower trigram has a partner in the upper trigram that stands exactly three steps away:

  • bottom below ↔ bottom above (1 ↔ 4)
  • middle below ↔ middle above (2 ↔ 5)
  • top below ↔ top above (3 ↔ 6)

This 1–4, 2–5, 3–6 pairing is the basic skeleton for what later Na Jia calls the corresponding line.

So in a purely structural sense:

Every line in a Six Lines hexagram has a corresponding line.

1 with 4, 2 with 5, 3 with 6.

This is already one reason why “corresponding line” is a good English translation. It is literally the line that corresponds to another line in this built in pattern.


2. Classical background: where 应爻 (“responding line”) comes from

The term 应爻 (ying yao) did not come from modern Na Jia manuals. It grows out of an older cosmology of resonance between Heaven and Earth.

Early Han dynasty texts linked events in different layers of the cosmos with the idea that:

when something moves in one layer, another layer quietly answers it.

One line in the apocryphal Yi literature (《易纬 · 乾凿度》Yi Wei, Qian Zao Du) is often summarized as:

  • when movement happens below the earth, there is a response below Heaven
  • when movement happens in the middle of the earth, there is a response in the middle of Heaven
  • when movement happens above the earth, there is a response above Heaven

Later exegetes mapped this world view onto the six lines of a hexagram:

  • the lower three lines are like earth or “below”
  • the upper three lines are like Heaven or “above”

Under this view:

  • line 1 below responds to line 4 above
  • line 2 below responds to line 5 above
  • line 3 below responds to line 6 above

These three pairs became the corresponding lines, 应爻.

The character 应 means:

  • to answer
  • to respond
  • to match or correspond to something

So 应爻 literally means:

the line that answers another line,
the line that stands opposite and responds to it.

Traditional commentaries often say things like:

  • when the corresponding line responds, take the meaning from that response
  • when there is no response, take the meaning from the lack of response
  • when there is no response, there is no gain

In other words, classical I Ching diviners were not only looking at one line in isolation. They were looking at a pair inside the hexagram and asking:

  • does the other side answer
  • is there a real resonance
  • or is one side active while the other side remains closed

This is the classical heart of the corresponding line: a way to read resonance, support, or silence along the 1–4, 2–5, 3–6 axes.


3. A concrete example: when the pair fails to respond

A famous example appears in commentaries on the hexagram Gui Mei (Returning Maiden). One explanation notes:

  • the top line is a yin line
  • the third line is also a yin line
  • the top line moves, but the third line does not move

By the old rule, a true “response” often prefers one yin facing one yang, or at least some sign that the two sides actively engage each other. Two yin lines of the same polarity, with only one side moving, are read as not in response (bu ying).

Practically, this means:

  • there is a main actor or main line that tries to move
  • the partner that should answer it is closed, passive, or simply not engaging
  • the relationship has no real support behind it

The commentary links this to the historical story attached to Gui Mei. Someone reaches out for alliance and help, but the hoped for counterpart does not truly answer. On the divinatory level this becomes an image of disappointment and lack of gain.

This is exactly how classical 应爻 works:

The corresponding line is not just “the line on the other side”.
It tells you whether the other side really responds.


4. How Na Jia adds the host line (世爻) on top

So far, we have only talked about pairs inside the hexagram. This already gives three sets of corresponding lines in every I Ching figure.

Na Jia adds another key concept that you will see on almost every Six Lines divination chart: the host line, 世爻.

In a real reading, we usually do not treat all six lines as equal. We choose one line to be the center of the story. This line is the host and often represents:

  • the querent
  • our side
  • the main situation that we care about

Once we select a host line, the 1–4, 2–5, 3–6 structure immediately tells us which line is especially important:

  • if the host line is on line 1, its partner is line 4
  • if the host line is on line 2, its partner is line 5
  • if the host line is on line 3, its partner is the top line
  • if the host line is on line 4, its partner is line 1, and so on

This partner is what Na Jia calls the corresponding line in everyday practice:

the line that corresponds to the host line,
the line that answers, supports, opposes, or ignores the host.

So in Na Jia manuals and Six Lines charts you often see a simple pair of labels:

  • 世 = host line
  • 应 = corresponding line

People talk as if there is only one corresponding line in the hexagram. What is happening in the background is:

  • structurally, each line still has its corresponding partner
  • methodologically, we focus on the line that corresponds to the host line
  • because that pair tells the core story of “me and the other side”

In short:

host line = “me, our side, the main party”
corresponding line = “the counterpart, the other side, what answers me”

This is why the 世–应 axis sits at the center of many Na Jia readings.


5. How to read the corresponding line in Six Lines divination

Once you understand both layers, the geometry and the classical idea of response, you can start to read the corresponding line more confidently in your own I Ching divination.

Here are a few practical questions that Na Jia readers often ask:

5.1 Is there a real response at all?

Sometimes the structure, polarity, or movement leads commentators to say that the pair is “not responding”.

This often points to situations where:

  • there is no real partner
  • the other side is there in name only
  • there is no true support behind the apparent promise

In relationship readings, this can mean unreturned feelings.
In business readings, it can mean empty offers or contacts that do not follow through.

5.2 Who is stronger, the host line or the corresponding line?

Using the Five Elements, seasonal strength, and other Na Jia tools, you can see:

  • if the corresponding line is stronger and overcomes the host, the other side may control, pressure, or restrict the querent
  • if the host line is stronger, the querent has more initiative and leverage

This is one reason Six Lines divination feels so “strategic” to many practitioners. The host line and corresponding line show not only whether someone responds, but also who is really in a position of power.

5.3 Do they generate, overcome, or simply stand together?

Looking at the elemental relationship between the host line and its corresponding line:

  • generation suggests help, support, nourishment
  • overcoming suggests conflict, control, or obstacles
  • same element can suggest alignment, competition, or mutual reinforcement, depending on context

This single pair can already tell you a great deal about whether a relationship, contract, or plan is likely to be cooperative or tense.

5.4 Is the corresponding line moving or static?

Movement is also important:

  • a moving corresponding line often means the other side is active, changing, unstable, or in the middle of making decisions
  • a static corresponding line is quieter; it can indicate reliability or indifference, depending on its strength and position

Again, the key question is:

Is the other side really answering the host line, and how?


6. Summary: why “corresponding line” is exactly the right name

We can now bring everything together into one simple definition.

The corresponding line (应爻, ying yao) in Six Lines I Ching divination is:

  • the line that stands opposite another line in the hexagram
  • the line that answers it according to the 1–4, 2–5, 3–6 pattern
  • and in Na Jia practice, especially
  • the line that corresponds to the host line, showing “the other side” of the story

Structurally, every line has a corresponding line.
In Na Jia readings, we focus on the corresponding line of the host, because that is where the main relationship, negotiation, or tension unfolds.

So each time you cast a hexagram with Six Lines divination, you can quietly ask:

  • Who is the host line in this question
  • Which line is its corresponding line
  • Does that line truly respond
  • Is it helping, blocking, or staying silent

This is the real function of the corresponding line. It turns the hexagram from a static picture into a living dialogue between “me and the other side”.


If you want to go deeper into Six Lines divination, Na Jia methods, and classical case studies, I Ching Stream offers English editions of core I Ching divination texts, plus tools and courses designed for non-Chinese readers.

I Ching Divination – Complete and Restored (Zengshan Buyi 增删卜易): A Na Jia Six Lines Classic and Its English Edition

The zengshanbuyi English edition: I Ching Divination – Complete and Restored

The term zengshanbuyi is often used in catalogs and searches to refer to Zengshan Buyi, the Na Jia Six Lines classic translated here as I Ching Divination – Complete and Restored. If you are interested in I Ching divination, Six Lines (Liu Yao, Wen Wang Gua), or the Na Jia Method, Zengshan Buyi is one of the core texts you will eventually encounter. This article introduces its history, structure, case system, timing methods, and the English edition prepared for modern readers.

Abstract

This article offers an English-language introduction to “I Ching Divination – Complete and Restored (Zengshan Buyi 增删卜易)”, one of the most influential manuals in the Na Jia based tradition of Six Lines (Liu Yao, Wen Wang Gua) divination. Compiled around 1690 from the notes of the mysterious “Wild Crane Elder” and organised by the early Qing scholar Li Wenhui (styled Juezi), with later appraisal by his fellow townsman Chujiang Li Woping, Zengshan Buyi stands at a key moment in late imperial Chinese divination culture, where long image-and-number traditions were tested against lived divinatory practice.

The article outlines the historical background of the Na Jia Method, the internal structure of Zengshan Buyi, and its program of “augmenting and deleting” earlier rules on the basis of empirical verification. It then focuses on the book’s topic based case organisation, with examples from wealth, marriage, weather divination, and training exercises such as hidden object readings.

Particular attention is given to how Six Lines diviners used line strength, voids, breaks, and the Twelve Life Stages to forecast not only outcomes but also concrete timing, for example predicting in which lunar month a line would enter its tomb.

The final sections describe the first complete English edition of Zengshan Buyi, prepared as a four volume set. This edition preserves one-to-one correspondence with the Chinese text, standardises technical terminology across related classics, and adds clearly marked translator’s annotations for idioms, historical allusions, and culturally specific references. It also includes visual study aids, such as line structure diagrams, charts of the Six Clashes and Six Compatibles, and timing charts for the Heavenly Stems and Five Elements. The aim is to make this important Na Jia manual usable for both practitioners and scholars who do not read Chinese, and to provide a practical gateway into the full case tradition for further study and teaching.

1. Introduction: Na Jia Six Lines and Zengshan Buyi

Within contemporary practice of I Ching divination outside China, the classical yarrow-stalk method and the line statements of the Zhou Yi are relatively well known, largely through European translations of the canonical text. By contrast, the Na Jia based Six Lines tradition, often called Liu Yao or Wen Wang Gua, remains relatively inaccessible to readers who do not read Chinese. Yet in Chinese divination communities this integrated method, which combines Heavenly Stems, Earthly Branches, and Five Elements with hexagram structures, has been one of the dominant systems for several centuries.

Among the core texts of this tradition, Zengshan Buyi occupies a distinctive place. For many modern practitioners of Six Lines divination and Wen Wang Gua, it is the first book to be read, reread, and argued over. It is frequently described as a practical handbook that both systematises and simplifies an earlier, more diffuse Na Jia tradition, while offering hundreds of worked examples drawn from divinatory practice.

The purpose of this article is to introduce “I Ching Divination – Complete and Restored (Zengshan Buyi 增删卜易)” to an English-reading audience in a way that is useful both for divination practitioners and for scholars interested in late imperial Chinese divination. I summarise its historical background, its internal structure, its self-conscious program of “augmentation and deletion”, and its long-term impact on how Six Lines is taught and practised. I also briefly describe the principles behind the English edition, which aims to make this tradition accessible without sacrificing its technical depth.

2. Historical background: from Na Jia to Zengshan Buyi

The Na Jia Method emerged from the broader image-and-number exegesis of the Zhou Yi associated with Han dynasty figures such as Jing Fang. In this approach, each hexagram line is assigned a Heavenly Stem and Earthly Branch, embedding calendrical and cosmological correlations directly into the divinatory figure.

The system allows diviners to read a hexagram simultaneously in several registers:

  • elemental generation and overcoming
  • temporal cycles and calendrical timing
  • directional indications
  • the Six Relationships (parents, wife and wealth, officials and ghosts, siblings, descendants)

Over subsequent centuries, this method was elaborated in many directions. Some branches emphasised dense systems of spirits and omens. Others combined Na Jia with techniques of astrology, calendrics, and physiognomy. By the late Ming and early Qing periods, practitioners had access to a wide array of divinatory manuals, many of which offered overlapping, and sometimes contradictory, rules.

It is within this context that Zengshan Buyi appears. The figure of Yehe Laoren, the “Wild Crane Elder”, is partly veiled in legend. He is variously described as a reclusive adept who “studied the Dao for decades” and kept four decades of divination records, testing written doctrines against outcomes.

Li Wenhui, styled Juezi, later obtained Wild Crane Elder’s experiential manuscript through his fellow townsman Chujiang Li Woping. Drawing on some forty years of his own divinatory practice, he collated, verified, and supplemented these materials, eventually organising them into the work now known as Zengshan Buyi. Chujiang Li Woping, in turn, wrote an appraisal and assisted in preparing the text for print. Additional voices, such as the preface writer Zhang Wen and the commentator Li Tan, further shaped the text we read today.

The English title “I Ching Divination – Complete and Restored” reflects the book’s claim to repair and systematise earlier teachings. Literally, Zengshan Buyi means “Augmentations and Deletions to the Book of Divination”. It claims not merely to summarise previous manuals but to test and revise them, retaining what is “verified by repeated experience”, rejecting what fails to manifest, and adding rules derived from long-term observation. In this sense, the book is both a compendium and a polemic.

3. Structure and organisation of Zengshan Buyi

“I Ching Divination – Complete and Restored (Zengshan Buyi 增删卜易)” is not a conventional commentary on the Zhou Yi. It is a structured manual of method and case-based application. Different Chinese editions vary in length and arrangement, but the work can be broadly divided into three overlapping components.

First, there are doctrinal chapters that lay out basic principles. These include discussions of:

  • the Six Relationships
  • the role of the host and corresponding lines
  • the use of the significator line
  • the cycles of birth, prosperity, rest, constraint, and extinction
  • technical states such as void periods, monthly breaks, punishment, harm, and clash

Second, there are critical essays on earlier doctrines. Here the authors directly engage earlier works, including highly regarded texts such as “Huang Jin Ce” (“Golden Strategy” or “Golden Yarrow Tally”). They identify rules that allegedly fail in practice, call out logical inconsistencies, and propose revisions. This material gives the book its “augment and delete” character.

Third, there is a large body of applied cases. The text integrates several hundred divination examples, classified by topic:

  • wealth and business
  • examinations and official advancement
  • marriage and relationships
  • illness and medical questions
  • lawsuits and litigation
  • travel and missing persons
  • lost objects
  • feng shui and grave sites
  • annual fortune and miscellaneous topics

In the Chinese tradition the case count is usually given as around three hundred. In the English edition the cases have been carefully recounted and cross-checked, resulting in 465 discrete examples, numbered by hexagram groups.

Each case typically provides the question, the hexagram with its Na Jia assignments, key active lines, the author’s reasoning, and the eventual outcome. In many instances the authors also note alternative interpretations, ambiguities, or failures, and they do not hesitate to admit when an older rule did not hold in a given situation. This case-driven structure is one of the reasons the book has become a practical reference manual rather than a purely theoretical treatise.

4. “Augmentations and deletions”: critique and simplification

The “augment and delete” program of Zengshan Buyi operates on several levels.

One target is the excessive weight given to elaborate systems of spirits and killing stars (shen sha). Earlier manuals sometimes introduced long lists of omens and named configurations that, in practice, were difficult to verify and easy to use in a flexible, and therefore unfalsifiable, way. The authors of Zengshan Buyi sharply reduce the role of such spirits, retaining only a small number as auxiliary indicators while insisting that the core of judgment must rest on Yin and Yang, the Five Elements, and the dynamics of the Six Relationships.

A second target is the idea that a single chart can be used to answer all questions about a client’s life. Some traditions claimed that one hexagram could cover wealth, longevity, marriage, and offspring. Zengshan Buyi is critical of this approach, pointing out that it often leads to self-contradictory conclusions.

Instead, the authors advocate a principle of “one matter per divination”, arguing that focused questions and focused interpretations are necessary for clarity and reliability.

A third area of critique concerns technical devices such as the hexagram body, additional “bodies” attached to stems, and complicated rules about mutual correlation that proliferated in some lines of transmission. Zengshan Buyi deliberately simplifies this landscape. It retains the host line, the corresponding line, and the significator line as central positions, and it treats many other devices as either unnecessary or secondary in actual practice.

The authors also re-examine received rules on void periods, monthly breaks, clash, punishment, harm, and the states of the line such as rest, prosperity, constraint, and extinction. They draw on long-term records to show when a line that appears weak or void at the moment of divination will in fact become effective again when the relevant time or clash arrives. This empirical attitude gives the work a distinctive voice within the wider tradition.

5. Case-based pedagogy in Six Lines divination

One of the most practical features of “I Ching Divination – Complete and Restored (Zengshan Buyi 增删卜易)” is its extensive use of topic-based case collections. Rather than present only general rules, the authors provide numerous examples for each major sphere of life.

In the wealth section, cases address questions such as opening a shop, investing in goods, dealing with partners, and anticipating loss or gain. The illness section considers different types of disease, the likelihood of recovery, the suitability of medical practitioners, and the timing of critical turns. The marriage section discusses suitability of partners, hidden obstacles, family opposition, and questions of timing.

The same pattern repeats across examinations and official careers, lawsuits, journeys and travellers, lost items and missing persons, and evaluation of sites for burials.

Crucially, these cases do not only answer whether something will happen. They also pay close attention to when it is likely to happen. By tracking when key lines enter or leave states such as prosperity, rest, constraint, tomb, or void, and by relating these changes to specific months and branches, Zengshan Buyi shows how Six Lines divination can forecast both the outcome and its timing.

Case [365] is a clear example, where an apparently smooth situation at the time of divination is explicitly tied to a turning point in the ninth month, when loss finally manifests. In the English edition, a “palm mnemonic” diagram for the Twelve Life Stages is included next to this case to help readers understand why the siblings line is judged to enter the tomb in that specific month.

Volume Four, Chapter on Seeking Wealth

The chapter opens with a succinct rule:

If both the wealth and descendants lines are absent, it is best to wait patiently. If the wealth and descendants lines are not present, or if they are present but in a state of rest and constraint, void, broken, tomb, or extinction, or if they are punished, overcome, clashed, or harmed, it is advisable to wait, as seeking wealth will be futile. Juezi said: If the daily or monthly branches act as wealth, or if they are hidden and prosperous, wealth can still be sought.

This general statement is immediately followed by concrete charts and outcomes.

Case [364]: Seeking wealth when the wealth line is absent
K month, V G day (void: A and B) [1]. A divination was made to inquire about seeking wealth. The hexagram obtained was Ge.

Judgment: In the hexagram, the wealth line is not present, and the M siblings line holds the host. The parents line coincides with the monthly branch and generates and supports the siblings line, making it as futile as climbing a tree to catch a fish. [2]

[Annotation from the Translator]

[1]

[2] The idiom “缘木求鱼” (yuán mù qiú yú) translates to “climbing a tree to catch a fish.” It originates from Chinese literature and is used metaphorically to describe an effort or method that is completely futile and inappropriate for achieving the desired outcome. The imagery suggests that trying to catch fish by climbing a tree is absurd and bound to fail because fish are found in water, not trees.

In essence, the idiom implies that if one uses the wrong approach or pursues a goal in an illogical manner, success will be impossible. It highlights the importance of using appropriate and sensible methods to achieve one’s objectives.

Case [365]: Lending money at interest
F month, III E day (void: A and B). A divination was made to inquire about lending money at interest. The hexagram obtained was Wei Ji to Gui Mei.

Judgment: In this hexagram, the host line aligns with the monthly branch, and both the active and transformed lines are siblings. During the divination, everything seemed smooth. However, by the ninth month (L), when the siblings line (Fire) entered the tomb [1], financial losses occurred due to deceit. How can it be said that overly active siblings lines do not lead to financial loss?

[Annotation from the Translator]

[1] The palm mnemonic for the Twelve Life Stages (see the following figure) shows how, in this case, the siblings line naturally reaches its tomb position in the ninth lunar month, which is why the loss is expected to manifest at that time.

Case [369]: Profit and the hidden cost to a sibling
K month, III G day (void: C and D). A divination was made to inquire about the profitability of a trade. The hexagram obtained was Shi to Kan.

When the G wealth line holds the host and the siblings line is active, it suggests a risk of financial loss. However, fortunately, the M Water line transforms into L Earth, causing the siblings line to be overcome and thus preventing it from robbing the wealth. This situation is favorable and indicates potential profit. Indeed, profit was gained. Later, in the ninth month, the querent’s younger brother suddenly fell ill and died. It was then realised that the M Water siblings line had transformed into the ghosts line, leading to this outcome. Instances where divinations about wealth reveal the loss of a sibling are not uncommon, and future practitioners should pay close attention to such signs.

Volume Four, Chapter on Marriage

The marriage chapter similarly combines concise rules with detailed stories. Two examples illustrate how timing, breaks, and the interaction of wealth and officials lines are handled.

Case [382]: Predicting the year of marriage
In the year of A, in the H month and on the VI H day (void: A and B), a divination was made regarding marriage. The hexagram obtained was Ming Yi to Feng.

Judgment: The B officials line holds the host, although it encounters both monthly and daily breaks. Fortunately, it transforms into a wealth line that returns to generate the host. Although it is currently broken, there will be a time when it is no longer broken. Next year, the year of B, a good match will be found. Indeed, in the fourth month of the following year, a good marriage was arranged. The reason it was predicted for the year of B is that it is the year when the broken host line is filled. Is this not because the wealth line generates the host, and the corresponding line overcomes the host?

Case [385]: Agreement now, regret later
In the month of F, on the V A day (void: G and H), a divination was made to inquire whether the marriage would be approved. The hexagram obtained was Heng to Jin.

Judgment: If the inner trigram has contradictory echoes, it indicates a situation of instability and change, where initial agreement may be followed by regret. He asked, “Is this truly as you say? Will it be successful in the future?” I replied, “Since the corresponding line is associated with wealth, is active, and generates the host, it will certainly succeed in the eighth or ninth month.” Indeed, it was accomplished in the month of K, which corresponds to the host line coinciding with the month and clashing away the D Wood.

These examples show how general statements about wealth and marriage are tested against concrete outcomes, often tracked over several months or years. They also illustrate the way Zengshan Buyi reads line strength, voids, breaks, and transformations not only for immediate profit or loss, but also for collateral events affecting siblings and the timing of marriage.

By reading through such cases, students learn not only how to apply formal rules, but also how experienced diviners in late imperial China framed questions, weighed conflicting indicators, and related hexagram structure to social realities. The fact that the authors include both successful and unsuccessful judgments, and sometimes comment on their own errors, reinforces the work’s educational character.

The topic-based arrangement also makes the book a useful reference. Practitioners can consult a group of similar cases when dealing with a particular type of question and can compare their own reasoning with that of the text. This has contributed to the book’s status as a “must read” manual among modern Six Lines practitioners.

6. Weather divination as a training method (Case [201])

Zengshan Buyi also includes a section on weather divination, which the authors explicitly frame as suitable for beginners:

Descendants represent the sun, moon, and stars, and when they are active, they bring clear skies for thousands of miles. The “Golden Strategy” suggests that when wealth is active, it brings sunshine to all directions, but this is not entirely accurate. When the descendants are active, the skies will be clear and cloudless. Descendants are the source gods of wealth. Even if wealth is active and the skies are clear, if the descendants are in rest, in constraint, in void, broken, or present but inactive, it will not be completely sunny and there will be floating clouds or light fog.

Case [201]: Clear weather and the descendants line

For example: In the month of D, on the I G day (void: E and F), a divination was made regarding clear weather. The hexagram obtained was Da Zhuang to Guai. [201]

The J Metal descendants line is active and transforms into the advancing god, bringing clear skies on J and K days. Some might ask: when recording divinations, should we not focus on rare and extraordinary verifications? Why record such an obvious case? I reply: this is recorded so that beginners can easily understand it, which is why I noted it first.

Here the author is explicit that simple, repeatedly verifiable questions such as “Will it be clear tomorrow?” are pedagogically valuable. Students can practise reading descendants, wealth, and parents lines in different states and immediately test their understanding against observable weather.

7. Hidden-object divination (shefu) as practice

Although Zengshan Buyi itself does not include hidden-object divination, later sources preserve classic examples of shefu, in which the practitioner infers a concealed object solely from the hexagram. One well-known case appears in “Zhouyi Donglin (Collected Insights on I Ching Divination)” and is cited in “Beitang Shuchao”:

Case 23: Jin – Guo Pu Divines a Hidden Object (Tweezers) – 60. Jie to 21. Shi He

“Beitang Shuchao” cites “Donglin”: Shi An, Magistrate of Juan County, placed tweezers as a hidden object and asked Guo Pu to guess. He cast a divination and obtained “Jie to Shi He”.

Guo said, “It is not a hairpin and not an ornamental clasp; it is usually worn beneath the collar. It is an ornament for the hair at the temples, and it has two prongs.”

Judgment: Taiping Yulan cites it as, “This is a pair of tweezers; they have two prongs.” Hanshang Yi cites it as saying, “Hairpin, not a hairpin; clasp, not a clasp.” This is based on the inner trigram Dui, and Dui is Metal. In general, when interpreting a hexagram, one must begin from within. It also says, “It is on the lower part of the head and used to trim the beard and moustache.” The term “head” refers to Qian within Kan. The “beard” lies below the head and is soft, and this corresponds to Kan. Zhu’s Jingyi Kao says that these three-character phrases do not rhyme with what follows. But “clasp” and “beard” are not in fact out of rhyme, so Zhu is mistaken. In “60. Jie” the lower trigram is Dui; Dui opens its mouth in two prongs, and Dui is Metal, so the object is a metal thing with two prongs. The upper trigram Kan is the head, and the mutual trigram Gen is the beard, and the beard is below the head. A metal object with two prongs is again below the beard; therefore one knows that it is tweezers.

[Annotation from the Translator]

[1] Case 11 from Zhouyi Donglin.

[2] In ancient China, Shefu (Hidden Object Divination, Shefu, 射覆) was a type of game in which one attempted to divine the object hidden inside a container, such as a jar or box. Similar to weather forecasting, it also served as a method for honing one’s divinatory skills.

Shefu was not merely a form of entertainment—it was a practical training exercise for I Ching diviners. By attempting to determine unknown concealed items using hexagrams, practitioners could refine their interpretative abilities, intuition, and mastery of hexagram imagery. In historical records, even high-ranking officials and scholars participated in Shefu to test their predictive insight. Over time, it became one of the classic applications of I Ching divination in both scholarly and courtly circles.

From a pedagogical perspective, hidden-object divination functions much like weather divination: it provides abundant opportunities for practice, clear right-or-wrong feedback, and a safe environment in which to explore how trigrams, mutual trigrams, and elemental attributes work together to describe concrete objects. For modern students of I Ching divination, these training exercises are a bridge between abstract rules and the more consequential questions of everyday life.

[3]

From a pedagogical perspective, hidden-object divination functions much like weather divination. It provides abundant opportunities for practice, clear right-or-wrong feedback, and a safe environment in which to explore how trigrams, mutual trigrams, and elemental attributes work together to describe concrete objects.

For modern students of I Ching divination, these training exercises are a bridge between abstract rules and the more consequential questions of everyday life.

8. Influence on modern Six Lines (Liu Yao) and Wen Wang Gua practice

In modern Chinese Six Lines circles, Zengshan Buyi is frequently described as both an entry point and a standard of comparison. Many later manuals, whether introductory textbooks or advanced commentaries, assume familiarity with its terminology, structures, and canonical cases. Even authors who criticise the text for allegedly simplifying earlier image-and-number theories generally engage with it as a central reference.

The book’s emphasis on verification has also shaped expectations about what constitutes responsible divinatory practice. Its insistence on keeping records, revisiting past divinations to check outcomes, and discarding rules that repeatedly fail has encouraged a more self-critical approach, at least in some lineages.

At the same time, the text has played a role in bridging elite and popular divination. Its language is comparatively straightforward, and many of its cases concern everyday concerns such as illness, travel, small business ventures, and family affairs. This has allowed it to serve as a practical manual for working diviners, not only as an object of scholarly interest.

9. The Zengshanbuyi English edition: I Ching Divination – Complete and Restored

The English edition titled “I Ching Divination – Complete and Restored (Zengshan Buyi 增删卜易)” grew out of a desire to make this Na Jia classic accessible to readers who do not read Chinese, while preserving the technical precision that practitioners require. It is, to my knowledge, the first complete translation of the work into English.

Several principles guide the translation.

First, there is a commitment to one-to-one correspondence between the Chinese text and the English rendering. Cases, chapters, and technical terms are mapped consistently across the four volumes, so that readers can move between rules and applications without losing track of the underlying structure.

Second, specialised terminology of Six Lines divination is translated in a stable and transparent way, so that the same technical phrase is always rendered by the same English expression. Wherever possible, this terminology is aligned across related classics, such as “Fire Pearl Forest”, “Undersea Eye”, and the “Donglin” materials, to support comparative study.

Third, the Na Jia framework itself is preserved in a clear, systematic notation, so that readers can see at a glance how Heavenly Stems, Earthly Branches, and the Five Phases are embedded in each hexagram. The goal is to reduce the cognitive barrier for those who do not read Chinese while respecting the original logic of the system.

Fourth, the visual infrastructure that traditional readers would already know by heart is made explicit. The English edition includes:

Figure 1, for example, illustrates the standard line layout used in the cases, including Six Relationships, elemental attributions, and Na Jia assignments for each line.

Figure 2 presents a simplified chart of the Six Clashes, Six Compatibles, and directional correspondences, which readers can use as a quick reference when working through the case corpus. These additions do not alter the underlying arguments of the text, but are intended to make its methods more intelligible and teachable in a contemporary international setting.

Figure 3 shows the Ten Heavenly Stems and their growth cycle within the Five Elements, and

Figure 4 summarises the seasonal prosperity and decline of the Five Elements.

These diagrams and tables help readers see why a line is considered prosperous, resting, constrained, or in the tomb in a given month.

Finally, the case examples are kept complete. The English edition includes 465 cases, numbered in one-to-one correspondence with the internal numbering of the book. This allows readers to follow the authors’ reasoning step by step, as well as to test those judgments against their own experience.

The English is kept clear and readable for non-native speakers. The text is designed as a working manual, suitable to keep open next to an I Ching chart, lookup table, or online I Ching tool while practising. In total, the four volumes contain approximately 204,000 words, comparable in depth to a full technical manual rather than a short spiritual booklet.

10. Conclusion

“I Ching Divination – Complete and Restored (Zengshan Buyi 增删卜易)” stands at an important junction in the history of Chinese divination. It distils a complex Na Jia tradition into a more coherent and testable framework, while preserving a rich archive of cases that illuminate how Six Lines diviners in the late imperial period understood their craft.

For practitioners, the book offers a structured pathway into Six Lines divination and Wen Wang Gua, built around rules that have been repeatedly checked against experience. For scholars, it provides a dense snapshot of how technical knowledge, empirical observation, and critique of precedent interacted within one strand of late imperial divination culture.

The English edition aims to open this material to a wider readership and to invite further research on Six Lines divination within global conversations about divination, knowledge, and practice. For more information on the English edition, related classics, and modern study tools (including an English-language Chinese Perpetual Calendar), readers can visit ichingstream.com.

In summary, the zengshanbuyi English edition of I Ching Divination – Complete and Restored opens a practical doorway into the Na Jia Six Lines case tradition for readers who do not work with Chinese sources. For more Six Lines study resources and the English-language Chinese Perpetual (Lunar) Calendar, you can visit I Ching Stream. A detailed book description and purchase links for the zengshanbuyi English edition are available on the I Ching Divination – Complete and Restored book page, which you can use alongside this article as you deepen your study and practice.

For readers who would like to explore more work on I Ching divination and the zengshanbuyi English edition, you can also find my academic profile on Academia.edu and follow ongoing essays and updates through the I Ching Stream Substack.

Ultimate I Ching Chart for Six Lines Divination & Wen Wang Gua & Na Jia Method

A complete quick reference for the 64 hexagrams and Eight Palaces, detailing every essential attribute: the Six Relationships, Five Elements, Earthly Branches, Heavenly Stems, Host/Corresponding Lines, Hidden Gods, Hexagram Body, Host Body, and more.

Are you looking for the Ultimate I Ching Chart to simplify your Six Lines Divination? The Na Jia method involves many moving parts. For instance, you must assign Heavenly Stems and Earthly Branches, find the yong shen (Use-God), and check elemental relationships. It can be time-consuming to look up every single component.

Therefore, we’ve created a comprehensive, all-in-one chart designed specifically for Wen Wang Gua. This post provides a free, downloadable chart that consolidates all the essential information you need. As a result, you can read a hexagram much faster and with great

64 hexagrams and every line in one chart.

A fast, reliable quick-reference for I Ching Divination. Built for Six Lines Divination (Liu Yao, Wen Wang Gua) and classic Book of Changes (I Ching) study.

What is inside the chart:

This chart is more than just a simple lookup table. We designed it to be a complete reference for practitioners of the Na Jia method.

  • Eight Palaces: Five element of each palace, structure
  • Hexagram: Hexagram name and number, original palace, Six Clashes hexagram, Six Compatibles hexagram, structure, hidden gods, host line, corresponding line, hexagram body, host body, single or split
  • Each line: Six Relationships, Heavenly Stem, Earthly Branch, and core Five Element for every line

Use it beside your readings, bookmark it for daily practice, and quiz yourself to build speed and accuracy.

The Complete 64-Hexagram and Lines Quick-Reference Chart ⬇️

Quick Reference Table for the Five Elements of Eight Palaces and 64 Hexagrams’ Hidden Gods, Heavenly Stems, Earthly Branches, Hexagram Body, and Host Body: Qian and Dui Palaces 1/4
Quick Reference Table for the Five Elements of Eight Palaces and 64 Hexagrams’ Hidden Gods, Heavenly Stems, Earthly Branches, Hexagram Body, and Host Body: Li and Zhen Palaces 2/4
Quick Reference Table for the Five Elements of Eight Palaces and 64 Hexagrams’ Hidden Gods, Heavenly Stems, Earthly Branches, Hexagram Body, and Host Body: Xun and Kan Palaces 3/4
Quick Reference Table for the Five Elements of Eight Palaces and 64 Hexagrams’ Hidden Gods, Heavenly Stems, Earthly Branches, Hexagram Body, and Host Body: Gen and Kun Palaces 4/4

Author’s Note: The complete chart of the 64 hexagrams is extremely important for Six Lines Divination. Each line is composed of three parts: Six Relationships, Earthly Branches, and the Five Elements of the Earthly Branches. For the sake of convenience in divination, the translator has simplified the Six Relationships to the first two letters of each and replaced the Earthly Branches with English letters (please refer to the following table of Earthly Branches). The host line is abbreviated as “ho,” and the corresponding line is abbreviated as “co.” The correspondence table for the Six Relationships is as follows:

How This Chart Simplifies Your Divination

Practicing Wen Wang Gua requires precision. However, precision doesn’t have to be slow. This chart streamlines the entire analytical process.

Instead of consulting multiple sources, you can now find everything in one place. For example, you can quickly see the elemental relationships between lines without having to memorize every single association. Furthermore, having the Subject and Object lines clearly marked saves crucial time during interpretation.

This tool is invaluable for both beginners and experienced practitioners. Specifically, beginners will find it helps them internalize the core structure of the hexagrams. Meanwhile, experienced diviners will appreciate the speed and efficiency it brings to their practice.

Who Is This For?

This reference chart is designed for everyone. If you’re a beginner just starting your journey with the I Ching or I Ching Divination here, this “cheat sheet” will be your best friend. If you are an experienced practitioner focusing on the intricacies of Wen Wang Gua, this table will serve as a reliable and essential tool for your daily practice.

I truly hope everyone will save this chart and use it actively and flexibly in their studies. Keep it beside you during readings. Use it to quiz yourself. The more you immerse yourself in this map of cosmic archetypes, the more fluid and insightful your divination will become.

Bookmark this page now and make this foundational table an essential part of your toolkit. Happy divining!

How To Use

Keep the chart open during readings, and quiz yourself between sessions. The more you internalize these palaces, elements, Six Relationships, host and corresponding lines, Earthly Branches, and Five Elements, the more accurate your I Ching reading will become.

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Essential Classics of I Ching Divination – Six Lines Divination (Liu Yao), Wen Wang Gua, and the Na Jia Method: English Editions Now Available, Complete with Difficulty Levels, Target Readership, and Study Notes

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The first comprehensive English series focused on I Ching Six Lines divination classics: